Posts in Category: 6d

Witch and the Black Rose

This photo is from a themed shoot with model Helen Morgan Rogers and Mad Hatter Makeup Artist. It was taken in a wooded area at around midday so I had to get a bit creative with the lighting. Two speedlights and a shoot through umbrella were used to create this shot. Makeup was done on location and we had a few bemused looks as we walked a short distance to a clearing, complete with pumpkins, wands and other witch articals to where the shoot took place. The wood is very popular with plenty of trails and cycle routs and at one point there were some very excited children telling their mum that there was a real witch in the woods!The shoot was great fun and a huge thank you to Helen and Mad Hatter Makeup.

Careful With That Axe!

It’s that time of the year again when the ghouls and ghosts are about! This shot is from a Horror/Halloween themed shoot that I did in a local wood. There were a few funny looks from passers buy and some genuine interest in what we were doing. It was great fun working with a couple of models and a makeup artist and by the way the axe is real, but don’t worry, no models, MUA’s or photographers were harmed in the making of this photo! Having a collaboration with a few people is a great way to get some shots, throw ideas around and have a lot of fun. I take my hat off to the models for braving the latex, fake blood and whatever was hiding under those leaves!

Still Life

As the weather is starting to get a little bit more wintry it gives you the opportunity to try something a little bit different. Still life id something that I don’t do a great deal of but today I had a try. A couple of speedlites, a softbox and a reflector were used to create this shot. The main subject is something I found while I was food shopping and thought it looked very interesting, it is some kind of squash, although I don’t think i would have attempted to eat it if I didn’t know! A gel was used just to give a subtle change of hue on the backdrop. I was able to do this on the dining room table so not a huge space was needed.

Ain’t No Smoke Without Fire

Another photo from the 1940’s shoot, I was trying to capture that time when the troops had a visit from a glamorous star such as Marilyn Monroe. As this was an open event it wasn’t easy to try and capture the scenes but it was a lot of fun trying. The two soldiers had bought their world war ll collection of memorabilia which included armoured cars that has been restored to their former glory.

1940’s

This is a photo taken at Avon Valley Railway’s 1940’s event. This is an annual event where a lot of people put time and effort to set up the railway station to look like a scene from the 1940’s during the war. all of the people who dress up in costume are really friendly and very interesting to talk to. They are more than happy to pose for photos and will give you a good insight into the trucks and equipment of that era, it is well worth a visit.

Zor.com

I was asked to review two photograph products from www.zor.com, based in Belgium.  The products that I am reviewing are one 20 x 30 cm Zor – Alu, an aluminium dibond materiel and one 20 x 30 cm Forex/PVC product. Please note that the image in this post does not showcase the true colour accuracy and quality of the forex print and is for illustration purposes only. I am set up as a portrait photographer and not for reproducing artwork.

Starting with the website…

I found the website easy to navigate and there is plenty of information, including a Q&A section on how to upload your files and what format will give you the best result. Uploading my photos was very easy and the checkout process went through with no hitches at all. An order conformation email was sent to me containing all of my order details including order number and shipping information. When my photos were dispatched I received another email  which included information to enable me to track my parcel, a nice touch. Although the website states 3-4 days turnaround, it took 14 days from ordering to receipt. Maybe this is due to ordering from the UK but it is something to allow for when ordering. When the photos arrived, they were well packaged with foam bits on the corners to prevent damage and I felt that this worked very well.

Moving onto the photos, Adobe RGB is the preferred colour space and not sRGB  like some labs. They also provide icc colour profiles which you can use in Photoshop (although I could not get them to show up in Lightroom) to proof the colours, something that I would highly recommend you do as there is a noticeable colour shift when you turn on proof preview in Photoshop. After using the proof setup option in Photoshop and brining the colours back into line I found that the colours on the finished products were an extremely good match to my calibrated screen; I use a Spyder device to calibrate my PC monitor. For the dibond I used a photo with muted tones and a splash of red. The tones were handled well although there was a bit of grittiness in the darker clouds in the sky, the shot was taken with a Canon 6d and a 17-40 L f/4  lens at iso 100. Overall though, it is a very pleasing image and people (non photographers)to  whom I have shown the print to have fallen in love with it and would love something like this on their wall.

Moving on to the Forex/PVC, for this product I chose a vibrant and colourful image, shot with a Canon 6d and a Canon 85mm f/ 1.8 lens, and again, I proofed and adjusted using the icc profile for this medium. The resulting image on the Forex was equally vibrant  and a very good match to my screen. I have also shown this photo to several people and I have had a similarly great response as with the dibond product.

I was very impressed with the quality of the products and the customer service was very good. Zor.com will be a company that I will look to order from in the future. When presenting prints to hang on your or a clients wall, you want the best quality possible and I feel that this company has the potential to fulfil that requirement.

For more information please visit Zor.com

Portrait of a Red Head

This was taken at a rocky beach bear Bristol, I like the colours of the models hair and the scarf that is flowing around her arm. Taken with a Canon 6d and a Canon 85 mm f/1.8 lens. Zoom lenses can be convenient but I do like to use prime lenses, they get you to think about what you are doing, have a nice shallow depth of field and make you use your feet instead if just standing there and using the zoom to frame.By using your feet, you can discover new angles which you may of otherwise missed.

Lord of the Manor

This shot was taken at Kings Weston House in Bristol. Kings Weston House is a grade 1 listed building and was completer in 1917 and was designed by Sir John Vanbrugh and was the home of Edward Southwell. During World War 1 the house was converted to a hospital. In 1935 the house was bought by the Bristol Municipal Charities and leased to the education authorities to be used a s a school. It went on to be Bristol Technical College of Architecture which later went on to be Bath University School for Architecture. During the following years the house was used for a verity of functions including a police training centre. The house is now used for conferences, weddings and private events, there is also a cafe which is open to the public and lovely walks around the surrounding estate.

Sadness

This photo was taken during a rehearsal of a dance show that was held at Churchill Academy and Sixth Form near Bristol UK. The dancers of Danceblast did eight performances over seven days during the Easter holidays. The dancers ages range from 4 to 18 and the show featured a live band. This was quite a challenging environment to try and photograph as you are at the mercy of the stage lighting so you have to use what you have got to your advantage. Coupled with the lighting is the need for high ISO and a quick reaction to try and capture the moment. I did not want to use flash as that would have killed the atmosphere.

Daffodil

The days are beginning to get longer and the spring flowers are starting to appear . I have a Sigma 105 mm macro lens which I haven’t really used much so I thought I would have a play. This shot was taken on a tabletop with a mottled brown paper backdrop. I used a large octabox, fitted with a grid, camera right and a foam core board as a reflector. The light was provided by two cheap Aperlite speedlights, one in the softbox and one with a Rogue Flashbender grid on the background. I set a custom white balance in camera and did some basic processing on the resulting RAW file. The vignette was created by the lighting and not in post. Other processing was to bring out the vibrancy of the yellow colour of the daffodil.