This photo is from a themed shoot with model Helen Morgan Rogers and Mad Hatter Makeup Artist. It was taken in a wooded area at around midday so I had to get a bit creative with the lighting. Two speedlights and a shoot through umbrella were used to create this shot. Makeup was done on location and we had a few bemused looks as we walked a short distance to a clearing, complete with pumpkins, wands and other witch articals to where the shoot took place. The wood is very popular with plenty of trails and cycle routs and at one point there were some very excited children telling their mum that there was a real witch in the woods!The shoot was great fun and a huge thank you to Helen and Mad Hatter Makeup.
It’s that time of the year again when the ghouls and ghosts are about! This shot is from a Horror/Halloween themed shoot that I did in a local wood. There were a few funny looks from passers buy and some genuine interest in what we were doing. It was great fun working with a couple of models and a makeup artist and by the way the axe is real, but don’t worry, no models, MUA’s or photographers were harmed in the making of this photo! Having a collaboration with a few people is a great way to get some shots, throw ideas around and have a lot of fun. I take my hat off to the models for braving the latex, fake blood and whatever was hiding under those leaves!
Another photo from the 1940’s shoot, I was trying to capture that time when the troops had a visit from a glamorous star such as Marilyn Monroe. As this was an open event it wasn’t easy to try and capture the scenes but it was a lot of fun trying. The two soldiers had bought their world war ll collection of memorabilia which included armoured cars that has been restored to their former glory.
This is a photo taken at Avon Valley Railway’s 1940’s event. This is an annual event where a lot of people put time and effort to set up the railway station to look like a scene from the 1940’s during the war. all of the people who dress up in costume are really friendly and very interesting to talk to. They are more than happy to pose for photos and will give you a good insight into the trucks and equipment of that era, it is well worth a visit.
This was taken at a rocky beach bear Bristol, I like the colours of the models hair and the scarf that is flowing around her arm. Taken with a Canon 6d and a Canon 85 mm f/1.8 lens. Zoom lenses can be convenient but I do like to use prime lenses, they get you to think about what you are doing, have a nice shallow depth of field and make you use your feet instead if just standing there and using the zoom to frame.By using your feet, you can discover new angles which you may of otherwise missed.
This is a photo of the famous Clifton Suspension Bridge, designed by Isambard Kingdom Brunel, which sits across the Avon Gorge.The bridge spans 214 meters and is supported by two 26 meter high towers. At high tide, the bridge sits at 76 meters above the water. The bridge opened in 1864 and links Clifton to Leigh woods in North Somerset.
Dating back to 1766 the Clifton Observatory, which sits on top of the Avon Gorge, gives fantastic views of the suspension bridge and the surrounding ares. The observatory was originally a windmill that was used to grind corn but was later adapted to grind snuff; the Observatory then became known as Snuff Mill.
In 1777 the mill caught fire, this was caused by the sails being left to turn during a gale and the equipment overheating. The mill was then left derelict for about 50 years until a Bristol based artist, William West, rented it for his studio in 1828. William West was responsible for transforming the building into what we see today, he installed a large telescope on top of the mill turning into an observatory. In 1829 the telescope was replaced by convex lens and sloping mirror which is known as the camera obscura; this still works today. Light travels through the lens and is reflected vertically down by the mirror onto a table which gives a true image of the surrounding area.
William west also built a cave below the observatory which leads to a viewing platform in the cliff face about 250 feet above the base of the Gorge. The cave, known as Giant’s cave was opened to the public in 1837 and is still accessible today.
This is a shot looking towards Millennium Square from Pero’s Bridge in Bristol City Centre. The big wheel is only there for a short time and I was able to frame it between the two horns of the bridge. This was taken at pedestrian rush hour but the long exposure has rendered almost all of the people invisible.
I had the opportunity to do some photography in a local gym, I have never done a fitness style shoot before so I was up for the challenge. Although it looked bright in the gym I had to boost my ISO to 1600 to enable me to get any usable levels of ambient light. I added two speedlights to the mix, one with a shoot through umbrella and one in a small Calumet softbox which I used as a rim light. I used a Canon 6d and a Tamron 28-75 f/2.8 lens. Looking back at some of the shots showed me areas that can be unproved upon but overall I was pleased with my first attempt at this type of shoot. Shooting in a working gym was quite an experience in its self due to the fact that other gym members were busy with their workouts. I will definitely be having another go at this type of shoot.
This is a photo taken from a recent photo walk with Frui and professional photographer Jimmy Watkins, www.jimmyimage.co.uk. There was a group of six of us and we met at Zero Degrees; our first stop was at the top of a multi-story car park which gave a great view towards the city centre. After some coaching and a few shots it was on to our next location which was at the bottom of Park Street where there were plenty of images to be had if you looked for them. It was a great experience and an enjoyable evening spending time with other photographers.