So, this was my first attempt at a fashion shoot which took place at the Lloyds Amphitheatre in Bristol. It was the middle of the afternoon so I found a place with plenty of open shade. We wanted to use the water features but there were so many children playing in them that we had no chance! Part of being a photographer is making the best use of the space that is available to you, this only comes with practice for most of us. Those with crazy artistic minds probably have an upper hand! Using the natural light and a pop of fill flash, I had an image that I knew where I wanted to go with. The RAW file was developed in Lightroom and finished off in Photoshop. Talking of photo editing, I am tempted to have a play with Darktable and Affinity Photo.
Where is your studio? Maybe some fancy building with lots of lights and modifiers to hand or maybe some top floor penthouse apartment? My studio for this shot was in a skittle alley of a Bristol pub! You see, my view is that your studio can be anywhere you want it to be and sometimes you just need a small space where you can set up a couple of speedlights and a reflector, oh, and a seamless paper backdrop. This lady is actually a very good makeup artist and I wanted to get a shot that told a story about her and the beauty is that I didn’t need to hire an expensive studio to achieve my shot. Expensive studios are very nice with their expensive lights and everything to hand and if you are taking quality shots for quality clients day in, day out then yes, you will probably need that space. But, for hobbyists and part time photographers a purpose build studio is not the only option!
This photo is from a themed shoot with model Helen Morgan Rogers and Mad Hatter Makeup Artist. It was taken in a wooded area at around midday so I had to get a bit creative with the lighting. Two speedlights and a shoot through umbrella were used to create this shot. Makeup was done on location and we had a few bemused looks as we walked a short distance to a clearing, complete with pumpkins, wands and other witch articals to where the shoot took place. The wood is very popular with plenty of trails and cycle routs and at one point there were some very excited children telling their mum that there was a real witch in the woods!The shoot was great fun and a huge thank you to Helen and Mad Hatter Makeup.
It’s that time of the year again when the ghouls and ghosts are about! This shot is from a Horror/Halloween themed shoot that I did in a local wood. There were a few funny looks from passers buy and some genuine interest in what we were doing. It was great fun working with a couple of models and a makeup artist and by the way the axe is real, but don’t worry, no models, MUA’s or photographers were harmed in the making of this photo! Having a collaboration with a few people is a great way to get some shots, throw ideas around and have a lot of fun. I take my hat off to the models for braving the latex, fake blood and whatever was hiding under those leaves!
Another photo from the 1940’s shoot, I was trying to capture that time when the troops had a visit from a glamorous star such as Marilyn Monroe. As this was an open event it wasn’t easy to try and capture the scenes but it was a lot of fun trying. The two soldiers had bought their world war ll collection of memorabilia which included armoured cars that has been restored to their former glory.
This is a photo taken at Avon Valley Railway’s 1940’s event. This is an annual event where a lot of people put time and effort to set up the railway station to look like a scene from the 1940’s during the war. all of the people who dress up in costume are really friendly and very interesting to talk to. They are more than happy to pose for photos and will give you a good insight into the trucks and equipment of that era, it is well worth a visit.
This was taken at a rocky beach bear Bristol, I like the colours of the models hair and the scarf that is flowing around her arm. Taken with a Canon 6d and a Canon 85 mm f/1.8 lens. Zoom lenses can be convenient but I do like to use prime lenses, they get you to think about what you are doing, have a nice shallow depth of field and make you use your feet instead if just standing there and using the zoom to frame.By using your feet, you can discover new angles which you may of otherwise missed.
This is a photo of the famous Clifton Suspension Bridge, designed by Isambard Kingdom Brunel, which sits across the Avon Gorge.The bridge spans 214 meters and is supported by two 26 meter high towers. At high tide, the bridge sits at 76 meters above the water. The bridge opened in 1864 and links Clifton to Leigh woods in North Somerset.
Dating back to 1766 the Clifton Observatory, which sits on top of the Avon Gorge, gives fantastic views of the suspension bridge and the surrounding ares. The observatory was originally a windmill that was used to grind corn but was later adapted to grind snuff; the Observatory then became known as Snuff Mill.
In 1777 the mill caught fire, this was caused by the sails being left to turn during a gale and the equipment overheating. The mill was then left derelict for about 50 years until a Bristol based artist, William West, rented it for his studio in 1828. William West was responsible for transforming the building into what we see today, he installed a large telescope on top of the mill turning into an observatory. In 1829 the telescope was replaced by convex lens and sloping mirror which is known as the camera obscura; this still works today. Light travels through the lens and is reflected vertically down by the mirror onto a table which gives a true image of the surrounding area.
William west also built a cave below the observatory which leads to a viewing platform in the cliff face about 250 feet above the base of the Gorge. The cave, known as Giant’s cave was opened to the public in 1837 and is still accessible today.
This is a shot looking towards Millennium Square from Pero’s Bridge in Bristol City Centre. The big wheel is only there for a short time and I was able to frame it between the two horns of the bridge. This was taken at pedestrian rush hour but the long exposure has rendered almost all of the people invisible.