Where is your studio? Maybe some fancy building with lots of lights and modifiers to hand or maybe some top floor penthouse apartment? My studio for this shot was in a skittle alley of a Bristol pub! You see, my view is that your studio can be anywhere you want it to be and sometimes you just need a small space where you can set up a couple of speedlights and a reflector, oh, and a seamless paper backdrop. This lady is actually a very good makeup artist and I wanted to get a shot that told a story about her and the beauty is that I didn’t need to hire an expensive studio to achieve my shot. Expensive studios are very nice with their expensive lights and everything to hand and if you are taking quality shots for quality clients day in, day out then yes, you will probably need that space. But, for hobbyists and part time photographers a purpose build studio is not the only option!
This photo is from a themed shoot with model Helen Morgan Rogers and Mad Hatter Makeup Artist. It was taken in a wooded area at around midday so I had to get a bit creative with the lighting. Two speedlights and a shoot through umbrella were used to create this shot. Makeup was done on location and we had a few bemused looks as we walked a short distance to a clearing, complete with pumpkins, wands and other witch articals to where the shoot took place. The wood is very popular with plenty of trails and cycle routs and at one point there were some very excited children telling their mum that there was a real witch in the woods!The shoot was great fun and a huge thank you to Helen and Mad Hatter Makeup.
It’s that time of the year again when the ghouls and ghosts are about! This shot is from a Horror/Halloween themed shoot that I did in a local wood. There were a few funny looks from passers buy and some genuine interest in what we were doing. It was great fun working with a couple of models and a makeup artist and by the way the axe is real, but don’t worry, no models, MUA’s or photographers were harmed in the making of this photo! Having a collaboration with a few people is a great way to get some shots, throw ideas around and have a lot of fun. I take my hat off to the models for braving the latex, fake blood and whatever was hiding under those leaves!
Another photo from the 1940’s shoot, I was trying to capture that time when the troops had a visit from a glamorous star such as Marilyn Monroe. As this was an open event it wasn’t easy to try and capture the scenes but it was a lot of fun trying. The two soldiers had bought their world war ll collection of memorabilia which included armoured cars that has been restored to their former glory.
This is a photo taken at Avon Valley Railway’s 1940’s event. This is an annual event where a lot of people put time and effort to set up the railway station to look like a scene from the 1940’s during the war. all of the people who dress up in costume are really friendly and very interesting to talk to. They are more than happy to pose for photos and will give you a good insight into the trucks and equipment of that era, it is well worth a visit.
This photo was taken during a rehearsal of a dance show that was held at Churchill Academy and Sixth Form near Bristol UK. The dancers of Danceblast did eight performances over seven days during the Easter holidays. The dancers ages range from 4 to 18 and the show featured a live band. This was quite a challenging environment to try and photograph as you are at the mercy of the stage lighting so you have to use what you have got to your advantage. Coupled with the lighting is the need for high ISO and a quick reaction to try and capture the moment. I did not want to use flash as that would have killed the atmosphere.
The days are beginning to get longer and the spring flowers are starting to appear . I have a Sigma 105 mm macro lens which I haven’t really used much so I thought I would have a play. This shot was taken on a tabletop with a mottled brown paper backdrop. I used a large octabox, fitted with a grid, camera right and a foam core board as a reflector. The light was provided by two cheap Aperlite speedlights, one in the softbox and one with a Rogue Flashbender grid on the background. I set a custom white balance in camera and did some basic processing on the resulting RAW file. The vignette was created by the lighting and not in post. Other processing was to bring out the vibrancy of the yellow colour of the daffodil.