Where is your studio? Maybe some fancy building with lots of lights and modifiers to hand or maybe some top floor penthouse apartment? My studio for this shot was in a skittle alley of a Bristol pub! You see, my view is that your studio can be anywhere you want it to be and sometimes you just need a small space where you can set up a couple of speedlights and a reflector, oh, and a seamless paper backdrop. This lady is actually a very good makeup artist and I wanted to get a shot that told a story about her and the beauty is that I didn’t need to hire an expensive studio to achieve my shot. Expensive studios are very nice with their expensive lights and everything to hand and if you are taking quality shots for quality clients day in, day out then yes, you will probably need that space. But, for hobbyists and part time photographers a purpose build studio is not the only option!
This photo is from a themed shoot with model Helen Morgan Rogers and Mad Hatter Makeup Artist. It was taken in a wooded area at around midday so I had to get a bit creative with the lighting. Two speedlights and a shoot through umbrella were used to create this shot. Makeup was done on location and we had a few bemused looks as we walked a short distance to a clearing, complete with pumpkins, wands and other witch articals to where the shoot took place. The wood is very popular with plenty of trails and cycle routs and at one point there were some very excited children telling their mum that there was a real witch in the woods!The shoot was great fun and a huge thank you to Helen and Mad Hatter Makeup.
As the weather is starting to get a little bit more wintry it gives you the opportunity to try something a little bit different. Still life id something that I don’t do a great deal of but today I had a try. A couple of speedlites, a softbox and a reflector were used to create this shot. The main subject is something I found while I was food shopping and thought it looked very interesting, it is some kind of squash, although I don’t think i would have attempted to eat it if I didn’t know! A gel was used just to give a subtle change of hue on the backdrop. I was able to do this on the dining room table so not a huge space was needed.
Another photo from the 1940’s shoot, I was trying to capture that time when the troops had a visit from a glamorous star such as Marilyn Monroe. As this was an open event it wasn’t easy to try and capture the scenes but it was a lot of fun trying. The two soldiers had bought their world war ll collection of memorabilia which included armoured cars that has been restored to their former glory.
The days are beginning to get longer and the spring flowers are starting to appear . I have a Sigma 105 mm macro lens which I haven’t really used much so I thought I would have a play. This shot was taken on a tabletop with a mottled brown paper backdrop. I used a large octabox, fitted with a grid, camera right and a foam core board as a reflector. The light was provided by two cheap Aperlite speedlights, one in the softbox and one with a Rogue Flashbender grid on the background. I set a custom white balance in camera and did some basic processing on the resulting RAW file. The vignette was created by the lighting and not in post. Other processing was to bring out the vibrancy of the yellow colour of the daffodil.
I had the opportunity to do some photography in a local gym, I have never done a fitness style shoot before so I was up for the challenge. Although it looked bright in the gym I had to boost my ISO to 1600 to enable me to get any usable levels of ambient light. I added two speedlights to the mix, one with a shoot through umbrella and one in a small Calumet softbox which I used as a rim light. I used a Canon 6d and a Tamron 28-75 f/2.8 lens. Looking back at some of the shots showed me areas that can be unproved upon but overall I was pleased with my first attempt at this type of shoot. Shooting in a working gym was quite an experience in its self due to the fact that other gym members were busy with their workouts. I will definitely be having another go at this type of shoot.
I wanted to have a practice balancing flash and ambient light so I thought I would try and make a photo of an old neglected shed at the top of my garden. The aim was to get a good exposure for the light outside of the shed and add flash for the inside exposure. I was thinking black and white before I took the shot as I wanted to make use of the textures. After converting to mono in Photoshop I found that the ivy had got lost so the idea of a colour pop sprang to mind. I rarely do colour pop but I thought it worked well in this image.
What are your thoughts? Do you like colour pop photos, is this something you already do or does it have the same effect on you as over cooked HDR has on me (I’m not a big fan!)?
Here is a shot experimenting with off camera flash; I decided to try something that fitted in with the season of good will. I was in a relatively small space but that didn’t matter as the shot was going to be a reasonably tight crop anyway. My first job was to get an exposure that included the Christmas tree lights without blowing the highlights. Once I had achieved that I went on to get a soft glow from the box, this was achieved with a low powered and diffused flash. The light from the flash in the box and the Christmas tree looked good but the front of the box was in shadow, to overcome this, I placed a second flash in front and camera left. This was fired through a small 10 inch double diffused softbox.
The weather has been quite rubbish outside so I decided to have a go at a still life. The lighting was a bit challenging and I spent a couple of hours playing around with the lights, diffusers and flags.
I used two Aperlite flashguns attached to manual wireless radio triggers. There was a key light places camera right and behind the setup. This light had a small Calumet flashgun softbox attached which in turn was fired through a second diffuser panel. The fill light had a grid attached placed camera right and in front of the setup to add a bit of fill, this was set at about 1.5 stops lower than the main light. Various flags were then used to help control the spread of light.
Using flashguns was useful for the tight space I was working in, the only downside is that they do not have a modelling light so a few test shots are needed to see the effect. I can reduce the power a lot more that my studio strobes though so they do have some advantages.
I decided to have a go at photographing some smoke. I set my camera on my tripod, put it into manual and used my Aperlite speed light in manual mode. I set the flash to 8th power which gave me an aperture of f5.6, the shutter speed was set at 1/160 ( to be honest I wasn’t too worried about the shutter speed just as long as it didn’t go above my flash sync speed). The flash was placed side on to the smoke and fired using a basic wireless trigger; the camera was pre-focused and as I use back button focusing the lens could safely be left on AF without the worry of the camera trying to refocus between shots.
I tried using a candle at first but the smoke that it gave off was a bit sparse and didn’t work very well. I think that people generally use incense sticks but I didn’t have any! I took a page out of a notebook and folded it into a kind of long stick and this worked well, I just had to be careful not to let the flame take hold for too long before I extinguished it to get the smoke.
I took the images into Photoshop, did a bit of transforming, added some coloured overlays and this is the result!