This shot was taken at Kings Weston House in Bristol. Kings Weston House is a grade 1 listed building and was completer in 1917 and was designed by Sir John Vanbrugh and was the home of Edward Southwell. During World War 1 the house was converted to a hospital. In 1935 the house was bought by the Bristol Municipal Charities and leased to the education authorities to be used a s a school. It went on to be Bristol Technical College of Architecture which later went on to be Bath University School for Architecture. During the following years the house was used for a verity of functions including a police training centre. The house is now used for conferences, weddings and private events, there is also a cafe which is open to the public and lovely walks around the surrounding estate.
This is a photo of the famous Clifton Suspension Bridge, designed by Isambard Kingdom Brunel, which sits across the Avon Gorge.The bridge spans 214 meters and is supported by two 26 meter high towers. At high tide, the bridge sits at 76 meters above the water. The bridge opened in 1864 and links Clifton to Leigh woods in North Somerset.
Dating back to 1766 the Clifton Observatory, which sits on top of the Avon Gorge, gives fantastic views of the suspension bridge and the surrounding ares. The observatory was originally a windmill that was used to grind corn but was later adapted to grind snuff; the Observatory then became known as Snuff Mill.
In 1777 the mill caught fire, this was caused by the sails being left to turn during a gale and the equipment overheating. The mill was then left derelict for about 50 years until a Bristol based artist, William West, rented it for his studio in 1828. William West was responsible for transforming the building into what we see today, he installed a large telescope on top of the mill turning into an observatory. In 1829 the telescope was replaced by convex lens and sloping mirror which is known as the camera obscura; this still works today. Light travels through the lens and is reflected vertically down by the mirror onto a table which gives a true image of the surrounding area.
William west also built a cave below the observatory which leads to a viewing platform in the cliff face about 250 feet above the base of the Gorge. The cave, known as Giant’s cave was opened to the public in 1837 and is still accessible today.
This is a shot looking towards Millennium Square from Pero’s Bridge in Bristol City Centre. The big wheel is only there for a short time and I was able to frame it between the two horns of the bridge. This was taken at pedestrian rush hour but the long exposure has rendered almost all of the people invisible.
This is a photo taken from a recent photo walk with Frui and professional photographer Jimmy Watkins, www.jimmyimage.co.uk. There was a group of six of us and we met at Zero Degrees; our first stop was at the top of a multi-story car park which gave a great view towards the city centre. After some coaching and a few shots it was on to our next location which was at the bottom of Park Street where there were plenty of images to be had if you looked for them. It was a great experience and an enjoyable evening spending time with other photographers.
This shot was taken during a walk through Ashton Court Estate. The balloon teams rocked up just as I was about to leave so I decided to stick around for a while. These balloons didn’t fly on this occasion, it looked like they were being prepped ready for next weeks Bristol International Balloon Fiesta!
Saturday 9th July was Bristol Pride day and as you would expect, there were a lot of colourful characters. There were many performers throughout the day and my daughter is a member of one of the many dance troops that were there. We all met at the well known Tobacco Factory in North Street, Bristol and took a leisurely 20 minute walk to the event, parking there would have been almost impossible. On arrival we discovered that the changing tent hadn’t arrived which left our dancers feeling rather unnerved about the prospect of changing in the open. Fortunately Bristol Community Health came to our rescue ant let us borrow their event tent for 10 minutes so a BIG thank you to them! Despite this minor hiccup the dance routines were amazing and the crowd were fantastic!!!
I wanted to have a practice balancing flash and ambient light so I thought I would try and make a photo of an old neglected shed at the top of my garden. The aim was to get a good exposure for the light outside of the shed and add flash for the inside exposure. I was thinking black and white before I took the shot as I wanted to make use of the textures. After converting to mono in Photoshop I found that the ivy had got lost so the idea of a colour pop sprang to mind. I rarely do colour pop but I thought it worked well in this image.
What are your thoughts? Do you like colour pop photos, is this something you already do or does it have the same effect on you as over cooked HDR has on me (I’m not a big fan!)?
One of the biggest challenges of taking portraits at mid-day is the harsh light that casts dark shadows under the eyes and chin etc. Add to this the high contrast and you can have a challenge on your hands. There are a few ways to overcome this, one could be to use fill flash to reduce the contrast and “Fill” in the shadows. This can be great if you have got the time to set the ambient and flash exposures manually but this can’t always be practical if you are photographing an event and are constantly on the move. TTL flash can be used but I find that it can be a bit unpredictable at times; the flash can be fooled by very light or dark backgrounds. Another method can be the use of a reflector to bounce light into the shadows, this works well and an assistant can be useful here. For this photo I decided to opt for open shade. I placed the subjects in an area of shade but had plenty of sky available to cast light onto the subjects. The benefit I find to this is that I do not need an assistant, you can readily see the effects of the light on the face and it helps to prevent that horrible squinting that you can get from direct sunlight. So what happens if I can’t find open shade? Well I’ll just have to use one of the other methods or get an assistant to hold the diffuser part of my 5 in 1 reflector between the subject and the sun!!!
So what is your preferred method of shooting at mid-day in harsh sunlight? Should we just stick to one method or is it important to have a few different techniques up our sleeves?